Ihle Violins

Beauty may happen in the dynamics of lines, in the tension between strength and fragility, in the shimmering game between light and shadow ... This is what I love about violin making.

Slicing Strads

would be nice but is too expensive. 

Casts of 1727 and 1704 Stradivarius violins helps me make up my mind about which gouge to choose for the fluting and where to target the deepest point. 

Apart from the choice of the gouge, the depth is always one crucial decision to take when cutting the fluting. Stradivari seams to have gone down to a thickness of 3.5 mm when fluting the c-bouts. For the rest of the fluting, he went to 3mm. Further into the arching, the fluting is at times considerably deeper - as can be seen in the second section of the cast in the back. 

Lutherie 2017

At the Lutherie event in May 2017, my colleague Robert Brewer Young and my self were invited to inspire a crowd of students, amateurs and professional violin makers. I showed them my recent work on Stradivari forms and representative violins for most of the 10 forms found in the Museo del Violino in Cremona. 

Background image by Sophie Lewisohn.